
$75.00 U.S. (trade discount)
No e-book has been authorized.
140 pages, 41 color photographs, including 10 six-page
foldouts, by the author
15.0″ x 9.0″ landscape/horizontal
ISBN: 978–1–938086–07–6
Published Winter 2013
Distributed by Casemate/IPM
www.casemateipm.com
Events and Exhibitions
November 18 – January 8, 2022
Danny Singer’s New Work
Opening Reception: Saturday, November 20, 2 – 4pm
Gallery Jones Fine Arts, Vancouver, BC
October 5 – November 2, 2019
THE FORECAST FOR TOMORROW
Opening Reception: October 5, 2019
Artist will be in attendance.
Gallery Jones Fine Arts Ltd, Vancouver
March 17 – Jun, 2017
Festival of Photography at the National Gallery of Victoria, Melbourne
Saturday, April 1, 2017
Artist Talk with Danny Singer and opening reception
Danny Singer & Mike Bayne: ARTIFACT
Gallery Jones Fine Arts Ltd, Vancouver
Through June 13, 2015
Exhibition: 100th Meridian
Gallery Jones Fine Arts Ltd, Vancouver
May 1-3, 2015
Solo show at Paris Photo Los Angeles
Saturday, May 2, Book signing
Gallery Jones at Paris Photo LA, Stand: New York Backlot – Stand C3
New York St, Los Angeles, CA
Saturday, November 8, 2014
Opening Reception and Exhibition
TrépanierBaer Gallery, Calgary, Alberta, Canada
Tuesday, October 8, 2013 at 5:30pm
Book Launch & Panel Discussion
Gallery Jones Fine Arts Ltd, Vancouver
by Danny Singer
Essay by Grant Arnold
Winner of a 2014 Independent Publisher Book Award: The Silver Medal in the Canada West Best Regional Non-Fiction category.
The Great Plains is one of Earth’s greatest ecosystems. Comprised of short- and tall-grass prairie, it extends from the Canadian Arctic south to Texas and from the Rocky Mountains in the dry west to the north-south corridor of I-35, I-29, and Canadian Highway 6 in the humid east. Although some of North America’s great cities are located on the Great Plains―Canada’s Calgary, Regina, Saskatoon, and Winnipeg, for example, and Denver and Dallas in the United States―the region is best known for its isolated small towns, villages, and hamlets whose livelihood, historically, is based on converting the native prairie into ranch land and agriculture.
Working in the tradition of documentary photography and using contemporary photographic techniques, Danny Singer here records, as no other Canadian or American photographer previously has, the main streets of those tiny settlements that define the Great Plains. In grand panoramas, we sense what it is like to live in these prairie towns that offer their residents the essential services for living―a bank, food store, co-op, gas station, post office, school, church, watering hole, public park, you name it. But when we look above and down the streets of a Danny Singer photograph, we see what lies beyond: the infinite space and big sky that not only establish the character of the Great Plains landscape, but also overwhelm all but the hardiest of citizens.
Danny Singer’s Main Street offers an original and lasting view of the heart and soul of the North American Great Plains: its small towns, villages, and hamlets at the turn of the twenty-first century. Here we rediscover that, far from the maddening noise and traffic, hectic life and polluted air of the city, rural life in the hinterland still matters. A concluding essay by the renowned art critic and curator, Grant Arnold, establishes Danny Singer’s place among the continent’s great visual-artists of all time.
About

About the Author
Danny Singer is a photographer living and working in Vancouver, British Columbia. Born in Edmonton, Alberta, in 1945, Singer began his career working in the Film Department of the Canadian Broadcasting Corporation, but, in 1970, he moved to Montréal, where he made the transition to still photography. Singer’s photographs have appeared in exhibitions and art fairs across Canada, Europe, and the United States, and they are part of numerous public collections, including the Vancouver Art Gallery, National Gallery of Canada, Mendel Art Gallery in Saskatoon, Glenbow Museum in Calgary, Denver Art Museum, Crown Collection for the Official Residences of Canada, Canada Department of Foreign Affairs, and the Canadian Embassy in Berlin. His photographs have also appeared in publications such as Canadian Architect, The Paris Review, Prism, and Prefix Photo, and he has received awards from the British Columbia Arts Council, Canadian Council for the Arts, Montreal Art Directors Club, Ontario Arts Council, and Portfolio magazine, among others. www.dannysinger.net
About the Essayist
Grant Arnold was born in Saskatoon, Saskatchewan, in 1955, and he was raised there. He completed his B.A. in studio art at the University of Saskatchewan and his M.A. in art history at the University of British Columbia. He is currently the Audain Curator of British Columbia Art at the Vancouver Art Gallery. During the past twenty-five years, he has organized more than fifty exhibitions of historical and contemporary art, contributed essays and articles to numerous exhibition catalogs and journals, lectured on historical and contemporary art at many conferences and institutions, and taught in the Critical and Curatorial Studies program at the University of British Columbia. He resides in Vancouver, British Columbia.
Slide Show
My Place
I’m sitting in my home office in North Vancouver, looking up at a towering fifty-foot cedar tree, whose roots are threatening our foundation. If I were to walk out to touch the tree and glance to the right, I would be looking down a hill across the waters of Burrard Inlet to the sparkling glass towers of Vancouver, a “postcard” beautiful city surrounded by water and snow-capped mountains.
It is the kind of place where, on a sunny day, everyone wants to move to. It’s the kind of city where you are more likely to be run down by a bicycle than a car, a city with outlandish real-estate prices and more good Asian restaurants than anywhere outside of Asia. Vancouver, like most western Canadian cities, is relatively new, incorporated just over a century ago as the terminus of our national railway. In this century, it has become a city that is defined as much by its natural beauty as by its rich mix of cultures.
I first moved here from Edmonton, Alberta, during the early 1960s and experienced the exciting rise of the counter-culture and the emerging contemporary arts scene. But, for all the excitement of those days, Vancouver still seemed like a small, very British colonial outpost.
I returned here in 1989 after a twenty-year stint in Montreal. Vancouver was then experiencing a boom, and the influx of immigrants was making it a very dynamic place to be. We settled on the North Shore, in a place with a view of the water and the city out one window and the mountains out the other. My wife teaches art history at a university just eight minutes away. We are but a stone-throw from mountain trails, and a marina is a short walk down our hill. It’s not hard to feel blessed! It’s odd then that the photographic work I do now is mostly far to the east, on the prairies and the Great Plains, a place I love and am drawn to. But, when I return from a trip, the smell of the ocean and the cool mountain breeze always feel like a welcoming home.
Copyright © 2013 Danny Singer. All rights reserved.























