$50.00 U.S. (trade discount)
No e-book has been authorized.
Hardcover/PLC
176 pages with 102 color photographs by the author
10.0″ x 10.5″ (upright/portrait)
ISBN 978–1–938086–45–8
Published in January 2017
Distributed by Casemate/IPM
www.casemateipm.com
No e-book has been authorized.
Events and Exhibitions
September-October 2018
Exhibit, Gallery 4, Gilbert AZ
images selected from Tidal Rhythms
by Stephen Strom
with essays by Barbara Hurd
No photographer since Edward Weston has photographed the tidal waters and beaches of the Pacific Coast as Stephen Strom has, with an eye toward a rising sea and uncertain future.
Tidal Rhythms: Change and Resilience at the Edge of the Sea is a collaborative effort by photographer Stephen Strom and award-winning essayist Barbara Hurd. Strom’s images, taken along beaches in the Gulf of California and the Northern California and Oregon coasts, document a world teeming with ancient life-forms, clinging to rocks and finding nourishment but revealed for only a few hours before the tidal waters return. The primitive flora and fauna together create transient marine landscapes whose complex patterns resonate with what we humans perceive as beauty.
Following the rhythms of Strom’s images as they travel between intimate portraits and expansive vistas, Hurd’s lyrical and philosophical essays both continue and complicate those cadences as she explores not just resonance, but also disturbance. As artist and writer move us from high tide to low tide and from the panoramic to the minuscule and back again, the reader is confronted with the larger issues of what happens as the seas rises, warms, and acidifies. Tidal zones are one of the first landscapes to be threatened—almost invisibly—by global climate change. Mussels, barnacles, and tidal pools are flung and ruffled or warmed and acidified in ways that stress the lives of those who live there. Shells begin to thin, species migrate north, and habitats literally disappear, yet few people are even aware of these amazing environments.
Change, of course, is part of an ancient pattern. For billions of years, the sea has risen and fallen, and life-forms have managed to adapt or not. But the current pace of change confronts us with a new and urgent question: Can the long-established but delicately balanced worlds between tidelines evolve rapidly enough to enable continued sustenance and maybe even a new beauty? In Tidal Rhythms, we are given the gift of a new world-view.
About
About the Author
Stephen Strom is both a research astronomer and fine-art photographer. His work, largely interpretations of landscapes, has been exhibited throughout the United States and is held in the collections of the Center for Creative Photography, University of Oklahoma Art Museum, Mead Museum in Amherst, Massachusetts, and Museum of Fine Arts, Boston, among others. He has published nine books of photography, including, most recently, Death Valley: Painted Light, with poetry by Alison Hawthorne Deming and an essay by Rebecca A. Senf (George F. Thompson, 2016), Earth and Mars: A Reflection, with Bradford A. Smith (Arizona, 2015), Sand Mirrors, with Richard B. Clarke (Polytropos, 2012), Otera Mesa: Preserving America’s Wildest Grasslands, with Gregory McNamee and Stephen Capra (New Mexico, 2009), and Earth Forms, with Gregory McNamee (Dewi Lewis, 2009).
About the Essayist
Barbara Hurd is an author, essayist, and teacher in the M.F.A. writing program at the Vermont College of Fine Arts. Her essays have appeared in Audubon, Best American Essays, The Georgia Review, Orion, and The Yale Review, among many others, and her books include Listening to the Savage/River Notes and Half-Heard Melodies (Georgia, 2016), Walking the Wrack Line: On Tidal Shifts and What Remains (Georgia, 2008), Entering the Stone: On Caves and Feeling through the Dark (Houghton Mifflin, 2003), which won a Library Journal Best Natural History Book of the Year, and Stirring the Mud: On Swamps, Bogs, and Human Imagination (Beacon Press, 2001), a Los Angeles Times Best Book of 2001. In 2015, she was awarded a John Simon Guggenheim Memorial Foundation Fellowship in General Nonfiction.
Slide Show
Praise
“Stephen Strom’s photographs reveal a teeming, shifting, and vibrant world in the half-hidden space between the low and high tide lines. Strom has an unerring eye for painterly detail. He discovers such a range of gestures within his chosen sites that Tidal Rhythms might double as a gloss on twentieth-century abstraction. Bunches of kelp look like the work of Jean Arp; squiggling critter trails, Miró; pointillist clusters of shells, Kusama. A group of pebbles nested in the windswept sand could be an oil on paper by Jay DeFeo. The beauty in these pictures is the expression of a logic that we, the readers, are always just shy of comprehending but that the photographer seems to understand perfectly. Generative, creative, and unruly forces are at work within the tiny worlds of Strom’s square frames, yet Barbara Hurd’s keen and lyrical prose reminds us that those forces are part of a deli-cate equilibrium. In an environment whose greatest constant is change, Strom and Hurd find parables of adapta-bility and endurance.”
—Dr. Rebecca A. Senf, Chief Curator at the Center for Creative Photography and Norton Family Curator of Photography at the Center for Creative Photography and Phoenix Art Museum
“Though the book includes descriptive essays by Barbara Hurd, Strom’s photos themselves vividly capture the imagination. The book’s square format enhances the abstraction as well as the fun of flipping through the pages — and rewards repeat readings. This is a great book for anyone who loves abstract photography or the ocean, as every image includes a little of both.”
—Amanda Quintenz-Fiedler, Photographer’s Forum Fall 2017 (read the full pdf here)